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Eine abenteuerlustige Filmcrew macht sich auf den Weg zu der mysteriösen Insel Skull Island. Dort soll einer Legende nach der Riesengorilla Kong leben. Schon bald entdeckt die Crew, dass Kong nicht nur Legende ist und neben ihm auch Dinosaurier. King Kong ist eine fiktive Affenkreatur monumentalen Ausmaßes. King Kong war das erste Ungeheuer, das für den Film erfunden und nicht aus. Kong: Skull Island ist ein Fantasy-Abenteuerfilm des Regisseurs Jordan Vogt-​Roberts aus dem Jahr , der die fiktive Figur des King Kong aufgreift. Er lief am. Dwan verliert langsam die Scheu vor ihrem tierischen Entführer King Kong. Spielfilm USA Eine bislang unentdeckte, von einer mysteriösen. Für die Neuverfilmung des Filmklassikers „King Kong“ ließ der Oscar-gekrönte Regisseur Peter Jackson die Stadt New York in seiner neuseeländischen.

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Apart from Kong, Skull Island is inhabited by dinosaurs and other large fauna. Inspired by Dougal Dixon 's works, the designers imagined what 65 million years or more of isolated evolution might have done to dinosaurs and the other creatures.

Shore completed and recorded several cues before he and Jackson parted ways. Shore's appearance as the conductor in the New York theatre from which Kong escapes remained in the film.

That trailer appeared in theatres attached to War of the Worlds , which opened on June Jackson also regularly published a series of 'Production Diaries', which chronicled the film's production.

These diaries are edited into broadband-friendly installments of three or four minutes each. They consist of features that would normally be seen in a making-of documentary: a tour of the set, a roving camera introducing key players behind the scene, a peek inside the sound booth during last-minute dubbing, or Andy Serkis doing his ape movements in a motion capture studio.

A novelization of the film and a prequel novel entitled King Kong: The Island of the Skull were also written. A multi-platform video game, entitled Peter Jackson's King Kong , was released, which featured an alternate ending.

Jackson has expressed his desire to remaster the film in 3-D at some point in the future. King Kong received positive reviews from critics.

The site's critical consensus reads, "Featuring state-of-the-art special effects, terrific performances, and a majestic sense of spectacle, Peter Jackson's remake of King Kong is a potent epic that's faithful to the spirit of the original.

It was placed on the Top Ten lists of several critics, [48] with Roger Ebert giving it four stars, and listed it as 's eighth best film.

The three versions that came out are a single disc full screen , a single disc widescreen , and a two-disc Widescreen Special Edition.

The film was spread onto the first two discs with commentary by Peter Jackson and Philippa Boyens, and some featurettes on discs one and two, whilst the main special features are on disc three.

The extended film amounts to total minutes. While the King Kong part of the Universal Studios Hollywood resort was destroyed by massive fire, a short 3D version of the film was eventually created in From Wikipedia, the free encyclopedia.

Theatrical release poster. WingNut Films. Release date. Running time. Naomi Watts as Ann Darrow, a struggling vaudeville actress who is desperate for work.

Carl first meets her when she tries to steal an apple from a fruit stand. Further into the voyage, she falls in love with Jack and forms a special relationship with Kong.

Due to his debts, Carl starts to lose his moral compass and obsesses over his film to the point that he disregards safety. Adrien Brody as Jack Driscoll , a screenwriter who falls in love with Ann.

He unwittingly becomes part of the voyage when, while delivering a script to Denham, he is deliberately delayed by the latter before he can get off of the Venture.

He is the only member of the crew who agrees with Ann that Kong should be left alone. Englehorn shows a dislike for Denham, presumably because of his obsessive nature.

Colin Hanks as Preston, Denham's neurotic but honest personal assistant. Jamie Bell as Jimmy, a naive teenager who was found on the Venture , wild and abandoned.

Andy Serkis as Kong motion capture , a foot 7. Fred Tatasciore as the voice of Kong vocal sound effects Serkis also plays Lumpy, the ship's cook, barber, and surgeon.

A brave sailor, he warns Denham about rumors he has heard about Skull Island and Kong. Evan Parke as Benjamin "Ben" Hayes, Englehorn's first mate and a mentor to Jimmy, who leads Ann's rescue mission because of his army training and combat experience gained during World War I.

Kyle Chandler as Bruce Baxter, an actor who specializes in adventure films. He abandons Ann's rescue mission but brings Englehorn to rescue the search party from the insect pit, and is given credit for rescuing Ann during the Broadway display of Kong.

John Sumner as Herb, Denham's loyal cameraman. Lobo Chan as Choy, Lumpy's best friend and a janitor on the Venture.

Craig Hall as Mike, Denham's soundman for the journey. William Johnson as Manny, an elderly vaudevillian actor and colleague of Darrow.

Mark Hadlow as Harry, a struggling vaudevillian actor. Jed Brophy and Todd Rippon appeared in the film as crew members. James Newton Howard.

British Board of Film Classification. Retrieved November 8, July 20, Retrieved October 12, Archived from the original on October 14, Retrieved March 4, USA Today.

Retrieved June 14, Science Fiction Weekly. Archived from the original on June 19, Retrieved June 1, Woods Peter Jackson: From Gore to Mordor.

London: Plexus Books. Retrieved May 28, Entertainment Weekly. Retrieved May 29, Retrieved May 31, Peter Jackson: A Film-maker's Journey.

London: HarperCollins. The New York Times. UGO Networks. Archived from the original on October 5, Retrieved June 6, The Hollywood Reporter.

October 28, The Evening Standard. Archived from the original on July 17, October 18, Cohen December 4, Kong UGO. Archived from the original on June 4, Archived from the original on March 12, Retrieved March 2, Hollywood Reporter.

Archived from the original on May 13, April 25, Retrieved June 13, The Dominion Post. Box Office Mojo. Retrieved January 2, December 19, The Numbers News.

Retrieved May 11, Retrieved June 28, April 3, Archived from the original on April 20, Retrieved January 3, The Numbers. Retrieved August 21, Rotten Tomatoes.

Retrieved February 24, Retrieved April 29, Awards Watch. Archived from the original on March 24, Retrieved November 20, BBC News.

January 31, Retrieved November 6, Retrieved July 30, Times Online. The Guardian. Retrieved December 23, Sci Fi. Retrieved June 21, In Higgins, MaryEllen ed.

Hollywood's Africa After Ohio University Press. November 11, Retrieved November 14, Hi-Def Digest.

Retrieved August 11, After David O. Selznick suggested the project to Cooper, the flurry of legal activity over using the Kong character that followed—Pioneer had become a completely independent company by this time and access to properties that RKO felt were theirs was no longer automatic—gave Cooper pause as he came to realize that he might not have full control over this product of his own imagination after all.

Cooper had assumed his rights were unassailable and was bitterly opposed to the project. In he filed a lawsuit to enjoin distribution of the movie against John Beck, as well as Toho and Universal the film's U.

Cooper's executive assistant, Charles B. FitzSimons, stated that these companies should be negotiating through him and Cooper for such licensed products and not RKO.

In a letter to Robert Bendick, Cooper stated:. My hassle is about King Kong. I created the character long before I came to RKO and have always believed I retained subsequent picture rights and other rights.

Cooper and his legal team offered up various documents to bolster the case that Cooper owned King Kong and had only licensed the character to RKO for two films, rather than selling him outright.

Many people vouched for Cooper's claims, including David O. Selznick, who had written a letter to Mr.

Without these letters, it seemed Cooper's rights were relegated to the Lovelace novelization that he had copyrighted he was able to make a deal for a Bantam Books paperback reprint and a Gold Key comic adaptation of the novel, but that was all that he could do.

Cooper's lawyer had received a letter from John Beck's lawyer, Gordon E. Youngman, that stated:. For the sake of the record, I wish to state that I am not in negotiation with you or Mr.

Cooper or anyone else to define Mr. Cooper's rights in respect of King Kong. His rights are well defined, and they are non-existent, except for certain limited publication rights.

It seems my hassle over King Kong is destined to be a protracted one. They'd make me sorry I ever invented the beast, if I weren't so fond of him!

Makes me feel like Macbeth : "Bloody instructions which being taught return to plague the inventor. The rights over the character did not flare up again until , when Universal Studios and Dino De Laurentiis were fighting over who would be able to do a King Kong remake for release the following year.

During the legal battles that followed, which eventually included RKO countersuing Universal, as well as De Laurentiis filing a lawsuit claiming interference, Colonel Richard Cooper Merian's son and now head of the Cooper estate jumped into the fray.

During the battles, Universal discovered that the copyright of the Lovelace novelization had expired without renewal, thus making the King Kong story a public domain one.

Universal argued that they should be able to make a movie based on the novel without infringing on anyone's copyright because the characters in the story were in the public domain within the context of the public domain story.

In a four-day bench trial in Los Angeles, Judge Manuel Real made the final decision and gave his verdict on November 24, , affirming that the King Kong novelization and serialization were indeed in the public domain, and Universal could make its movie as long as it did not infringe on original elements in the RKO film, [54] which had not passed into the public domain [55] Universal postponed their plans to film a King Kong movie, called The Legend of King Kong , for at least 18 months, after cutting a deal with Dino De Laurentiis that included a percentage of box office profits from his remake.

However, on December 6, , Judge Real made a subsequent ruling, which held that all the rights in the name, character, and story of King Kong outside of the original film and its sequel belonged to Merian C.

Cooper's estate. This ruling, which became known as the "Cooper judgment", expressly stated that it would not change the previous ruling that publishing rights of the novel and serialization were in the public domain.

It was a huge victory that affirmed the position Merian C. Cooper had maintained for years. In Judge Real dismissed the claims that were brought forth by RKO and Universal four years earlier and reinstated the Cooper judgement.

In Universal filed a lawsuit against Nintendo , which had created an impish ape character called Donkey Kong in and was reaping huge profits over the video game machines.

Universal claimed that Nintendo was infringing on its copyright because Donkey Kong was a blatant rip-off of King Kong. The courts ruled that trademark was not among the rights Cooper had sold to Universal, indicating that "Cooper plainly did not obtain any trademark rights in his judgment against RKO, since the California district court specifically found that King Kong had no secondary meaning.

First, Universal knew that it did not have trademark rights to King Kong, yet it proceeded to broadly assert such rights anyway.

This amounted to a wanton and reckless disregard of Nintendo's rights. Second, Universal did not stop after it asserted its rights to Nintendo.

It embarked on a deliberate, systematic campaign to coerce all of Nintendo's third party licensees to either stop marketing Donkey Kong products or pay Universal royalties.

Finally, Universal's conduct amounted to an abuse of judicial process, and in that sense caused a longer harm to the public as a whole.

Depending on the commercial results, Universal alternatively argued to the courts, first, that King Kong was a part of the public domain, and then second, that King Kong was not part of the public domain, and that Universal possessed exclusive trademark rights in it.

Universal's assertions in court were based not on any good faith belief in their truth, but on the mistaken belief that it could use the courts to turn a profit.

Because Universal misrepresented their degree of ownership of King Kong claiming they had exclusive trademark rights when they knew that they did not and tried to have it both ways in court regarding the "public domain" claims, the courts ruled that Universal acted in bad faith see Universal City Studios, Inc.

Nintendo Co. They were ordered to pay fines and all of Nintendo's legal costs from the lawsuit. That, along with the fact that the courts ruled that there was simply no likelihood of people confusing Donkey Kong with King Kong, [58] caused Universal to lose the case and the subsequent appeal.

Since the court case, Universal still retains the majority of the character rights. In they opened a King Kong ride called King Kong Encounter at their Universal Studios Tour theme park in Hollywood which was destroyed in by a backlot fire , and followed it up with the Kongfrontation ride at their Orlando park in which was closed down in due to maintenance issues.

They also finally made a King Kong film of their own, King Kong As noted above, Richard Cooper, through the Merian C. Cooper Estate, retained publishing rights for the content that Judge Real had ruled on December 6, , belonged to Richard Cooper.

In , they licensed a six-issue comic book adaptation of the novelization of the film to Monster Comics , and commissioned an illustrated novel in called Anthony Browne's King Kong.

In , they became involved with a musical stage play based on the story, called King Kong: The Eighth Wonder of the World which premiered in June in Australia [68] [69] and then on Broadway in November Studios , [72] an expanded rewrite of the original Lovelace novelization, Merian C.

Cooper's King Kong, the original novelization's publishing rights are still in the public domain , and various crossovers with other franchises such as Doc Savage , Tarzan [73] and Planet of the Apes.

RKO whose rights consisted of only the original film and its sequel signed over the North American distribution rights to its film library to Ted Turner in a period spanning to via his company Turner Entertainment.

In , Warner Bros. Family Entertainment released the direct-to-video animated musical film The Mighty Kong , which re-tells the plot of the original film.

Kong , after Legendary Pictures brought the projects from Universal to their company to build up the MonsterVerse.

DDL whose rights were limited to only their remake did a sequel in called King Kong Lives but they still needed Universal's permission to do so.

Toho's interpretation differed greatly from the original in size and abilities. Among kaiju , King Kong was suggested to be among the most powerful in terms of raw physical force, possessing strength and durability that rivaled that of Godzilla.

As one of the few mammal-based kaiju, Kong's most distinctive feature was his intelligence. He demonstrated the ability to learn and adapt to an opponent's fighting style, identify and exploit weaknesses in an enemy, and utilize his environment to stage ambushes and traps.

In King Kong vs. This version of Kong was given the ability to harvest electricity as a weapon and draw strength from electrical voltage.

This version was more similar to the original, where he relied on strength and intelligence to fight and survive.

Elements of King Kong's character remained in the film, reflected in Godzilla's uncharacteristic behavior and attraction to the female character Daiyo.

Toho Studios wanted to remake King Kong vs. Godzilla , which was the most successful of the entire Godzilla series of films, in to celebrate the 30th anniversary of the film, as well as to celebrate Godzilla's upcoming 40th anniversary.

However, they were unable to obtain the rights to use Kong, and initially intended to use Mechani-Kong as Godzilla's next adversary. But it was soon learned that even using a mechanical creature who resembled Kong would be just as problematic legally and financially for them.

As a result, the film became Godzilla vs. King Ghidorah , with no further attempts to use Kong in any way. Both Kong and Skull Island were referenced and made multiple appearances in the film Godzilla: King of the Monsters.

King Kong, as well as the series of films featuring him, have been featured many times in popular culture outside of the films themselves, in forms ranging from straight copies to parodies and joke references, and in media from comic books to video games.

The Beatles ' animated film Yellow Submarine includes a scene of the characters opening a door to reveal King Kong abducting a woman from her bed.

It ends with King Homer marrying Marge and eating her father [ citation needed ]. The animated film Chicken Little features a scene parodying King Kong, as Fish out of Water starts stacking magazines thrown in a pile, eventually becoming a model of the Empire State Building and some plane models, as he imitates King Kong in the iconic scene from the original film.

The controversial World War II Dutch resistance fighter Christiaan Lindemans —eventually arrested on suspicion of having betrayed secrets to the Nazis—was nicknamed "King Kong" due to his being exceptionally tall.

The song is an a cappella narrative of the original movie's story line. From Wikipedia, the free encyclopedia. Fictional character, a giant movie monster resembling a colossal gorilla.

This article is about the character. For the film franchise, see King Kong franchise. For other uses, see King Kong disambiguation. Main article: King Kong franchise.

Main article: King Kong in popular culture. This section appears to contain trivial, minor, or unrelated references to popular culture.

Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

Unsourced material may be challenged and removed. October Den of Geek. Retrieved March 28, Archived from the original on January 31, Retrieved January 30, Entertainment Weekly.

Retrieved May 11, Legendary Pictures. Archived from the original on June 13, Retrieved April 9, Retrieved March 4, New York Times. August 13, Graphics, , pg.

Woods, King Kong Cometh! Molly November 11, February 19, Justia US Law. December 22, Retrieved May 6, Retrieved July 27, Retrieved November 18, The Hollywood Reporter.

Retrieved September 21, CBC News. September 16, Comic Book Resources. April 8, Retrieved April 8, Tarzan Arrives This Summer! Forces of Geek. March 9, Retrieved March 9, Retrieved November 8, Retrieved April 3, April 18, Retrieved April 21, Retrieved May 9, Toho Kingdom.

Retrieved October 16, Cambridge University Press. Retrieved August 20, King Kong. Kong Godzilla King Kong Escapes King Kong King Kong vs.

Godzilla Godzilla, King of the Monsters!

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